Published: June 30, 2013 at 2:32 PMSpot-on commentary there, Jonah. Thank you!
In addition to what you've mentioned, I love Alan Menken's theme song for the Sindbad's Storybook Voyage at Tokyo DisneySea. Robert Moline's "Golden Dream" never fails to get me, too, and the entire soundtrack of Impressions de France remains an international treasure.
Published: June 30, 2013 at 2:43 PMI've always thought the way the music through Comic Strip Lane at Islands of Adventure subtly shifts between the characters as you walk down the street is rather brilliant. It's a little like parade music except the scenery stays put and the guests float by at their own pace.
Published: June 30, 2013 at 3:01 PMJust as music is vital to setting the mood in a film, music is equally vital when we ourselves are in the middle of a story in a theme park. Mentioned above are plenty of favorite music moments of mine, particularly music that is used in Islands of Adventure. Of course, Disney has always done an exceptional job of creating music for its attractions, whether it's catchy songs like "It's a Great Big Beautiful Tomorrow" or sweeping, inspiring orchestral melodies, like the "Illuminations" soundtrack. I once heard a commentator say that a good movie score can stand on its own, without the help of the visuals of the film. I think the same goes for good theme park music.
Published: June 30, 2013 at 3:20 PMOne of my favorite background/attraction soundtrack is Ellen's Energy Adventure.
This article reminds me of a presentation I did in college about John Williams in a room of mostly non-musicians, and I played parts of different movie soundtracks for the students to identify which movie it was from. The idea was to show them how music plays an important role in making us remember situations and events, in this case a movie.
Published: June 30, 2013 at 3:41 PMI love the queue music for Dollywood's Wild Eagle. It sets everyone up for a majestic flight on a steel eagle over the park's hills.
Published: June 30, 2013 at 4:59 PMUniversal also uses the speakers throughout the park to full effect for special events. If you come to Halloween Horror Nights, for instance, the speakers are playing the sounds of people being disemboweled in the bushes, so it makes the friendly park seem menacing at night.
Published: June 30, 2013 at 7:37 PMThis is an excellent article. THANK YOU!
Published: June 30, 2013 at 8:21 PMVery nice article. Universal's Islands of Adventure is certainly the champ when it comes to theme park soundtracks and the audio system.
Published: June 30, 2013 at 8:28 PMThe opening act of Tokyo DisneySEA is beautiful.
Published: June 30, 2013 at 8:46 PMWas the music from Comic Strip Lane ever released on CD or elsewhere? The only tracks I've heard come from the official soundtrack and those don't seem to be the same as what plays in that section of the park, particularly the lack of the character vocals.
Published: June 30, 2013 at 8:57 PMUniversal's Islands of Adventure Port of Entry music takes the cake for me! The way it shifts from the gates, to the main street, then to the plaza in front of the lagoon. It is perfection.
I also love Epcot's entry music, and of course, the JP theme in Islands of Adventure.
I think just the music in general around Epcot and Islands of Adventure is pretty darn good. It's funny because those are my two favorite parks.
Published: July 1, 2013 at 4:55 AM"Every theme park that makes the effort to create a soundtrack for the park ought to release that soundtrack for sale to fans."
Published: July 1, 2013 at 5:44 AM@N B I too own all three versions of the islands soundtracks
Published: July 1, 2013 at 6:57 AMI was a huge fan of the soundtrack at Hard Rock Park, which was conceived by some of the same creative people that designed IOA. The soundtrack used well-know music, but put a spin on the songs by remixing them to match the theme of each land. A country-western banjo-pickin' version of "Crazy Train" elicited a chuckle every time. The music was so well synchronized that you could walk between lands and listen to the music transition from one style to another.
Some of the best original theme park music I've heard typically comes from shows, perhpas because it's more noticeable than background music in the parks. I'm always grabbed by the soundtrack to Sea World's Blue Horizons, and I've loved the old Electric Light Parade music and remember listening to it on vinyl back in the day.
I do enjoy the Fantasmic! music, and find myself humming it for hours after the show ends much like I used to do following the original Illuminations soundtrack, not so much with the newer Illuminations music though.
Published: July 1, 2013 at 3:34 PMGo on YouTube and type in "epcot earworm". It's the music between the innoventio s and by far the catchiest theme park music I've ever heard
Published: July 1, 2013 at 7:59 PMIOA's Port of Entry music is great. It really makes you feel like you are about to enter a magical and other worldly place.
The music in the front square of Epcot's Future World is brings a lot of the optimistic modernism that defines the park.
Top Thrill Dragster using the 90's Brit Pop song Ready to Go to pump ump riders in the station.
Published: July 2, 2013 at 9:36 AMGood artists borrow (copy). Great artists steal. I think John Williams is the latter.
Published: July 2, 2013 at 12:10 PMGreat article. I have always loved the background music in theme parks and it's even better when movie scores are integrated into the theming at parks. (I can't wait to hear the theme to Star Wars at the new parks at Disney.) And I agree with several other comments that amusement park music should be more readily available on iTunes or CD. And Robert is right about Impressions de France. My family and I love that music and listening to it or Soarin' is so evocative it makes us feel that we are right there in the park. Listening to some Disney or Epcot background music makes me feel like a child again.
Check out Roller Coaster Tycoon 2 soundtrack for some great amusement park themes.
Published: July 2, 2013 at 2:32 PMI also love transitional moments, like the twinkling chimes leading from Seuss into Lost Continent, or the rock guitars literally pouring out of the steam-grates in the streets in Marvel Superhero Island.