By Kevin Baxter
Posted via 188.8.131.52 on September 12, 2004 at 3:37 PM (MST)
Statements below are the work of their authors and not necessarily the opinion of Theme Park Insider.
From the official WDW website: Live it up at this spellbinding show created exclusively for the Walt Disney World® Resort - a must-see for anyone who wants a truly dazzling evening of spectacular entertainment. Experience this avant-garde blend of circus, art, theater, and absolute whimsy to know the color of imagination.
"... and absolute whimsy to know the color of imagination." Pardon me, but I'm about ready to know the color of my stomach contents. Not that I don't think Cirque du Soleil (pronounced basically as Sirk doo So-lay) shows don't deserve fancy superlatives, but give me a break.
Okay, here is where I should probably admit to something: I am a Cirque du Soleil freak! My first show was their first resident show, which was Nouvelle Experience at the Mirage in Vegas. I was hooked. I saw every touring show after that: Alegria, Quidam, Dralion and the still new Varekai. I have seen both Vegas's O and Zumanity, as well as the king of the Strip, Mystere, three times.
Which may make you think I am sort sort of CdS dork who will like a show before I even set foot inside the tent. Not so. Dralion was a fairly weak show that was pretty much saved by its outstanding clowns. Quidam, contrarily, was a solid show that was almost brought down by its fairly dreadful clowns. Don't get me started on the all-over-the-place Zumanity. And, while many would be shocked at this statement, I think O is a major case of style over substance. Outstanding style, for sure, but the acts just aren't as involving as they are up the street at Mystere.
Or across the country at La Nouba. I saw the show for the second time this year and it has improved with age. But that also isn't surprising. CdS is famous for "fixing" shows as they get older. In my three Mystere viewings, the show was different - and better - on each subsequent visit.
La Nouba hasn't changed a whole bunch, but the few changes have improved it. The Cycles act (two guys doing tricks on bikes) has been moved to the Number Two position, which improves the flow greatly as it ties in more thematically to the amazing German Wheel routine (two guys rolling around in man-sized wheels) which opens the show. Before, the Cycles, while good, stopped the show as the sudden presence of bicycles and the uninteresting costumes the cyclists wear just didn't seem to fit in. Now the show's weird act is surrounded by the two greatest acts making it stand out less.
That other great act? The crowd favorite Diabolos, a foursome of adorable Chinese girls flinging about large yo-yo things while performing acrobatics. Ask anyone who has seen a CdS show, and the first thing most will refer to is one of the acts. The act most likely to be referred to in this show is the Diabolos. Not only is it the star of the show, but it is one of the star acts out of all the CdS repertoire. This were also the best act in Quidam which might explain why it is here.
CdS is very good at knowing what pleases the masses and many supposedly temporary acts end up in permanent shows. The German Wheel comes directly from Quidam as well, and the Aerial Ballet in Silk comes directly from... well, basically EVERY CdS show. This is definitely one act that needs a break. Or something new brought to the routine, which does occur in Zumanity.
In fact, the biggest complaint I have about La Nouba is how little innovation is brought to so many staples of the Cirque and circus worlds. Adding a wheel to the German Wheel routine has added many dimensions to that act. But, the Flying Trapeze has been done far better in other Cirque shows. Balancing on Chairs hasn't changed much at all, and it wasn't all that thrilling to begin with. And the High Wire doesn't even bother to go beyond similar acts in lesser circuses. The dormant Nouvelle Experience had an extremely inventive rope-balancing act which could have easily been lifted from for this show.
And that irritates me as Nouvelle Experience is where La Nouba's finale derives from. The Power Track/Trampoline was/is a fantastic end to both shows. The floor opens to reveal an elongated X made of trampoline. Behind these tracks are regular trampolines and a multi-windowed "building" which performers jump onto and into. It's an amazing finish, especially after following several mostly unimaginative acts.
But it isn't just the acts that make the show work so well. The costumes are almost (ahem) "uniformly" inventive and attractive. The cyclist attire may be the first outfits out of CdS that I haven't admired. Attire aside, no one leaves a CdS show without understanding how big a part the music plays. The Power Track/Trampoline number elevates a great act into one that is as close to perfect as you can get. In fact, I would argue that the music is often MORE important than the acts, as half the acts would be ho-hum without the accompanying score. Even when there isn't an act going on, the music is there.
Like the opening number. This is one of CdS's most stirring numbers and it starts the show off with a bang and a half. Add to that the movement of the performers (I don't want to call it "dancing"), and you have a Broadway-quality opener here. La Nouba has more "movement" than any show since Nouvelle Experience, if not the most ever. While most of the performers are there for their athletic abilities, it is nice to see something approaching dancing. Here, it is nothing more than marching across the floor in gulag-style outfits, but it adds so much to the performance and the story.
That's another place where La Nouba excels. While many CdS storylines are more surreal than logical (like Mystere) or too bare-bones (like O), this one is pretty much right out there. While still not all that literal, the ugliness-to-beauty theme (that has almost become a CdS staple too), is at least understandable. Which may have something to do with the WDW location. While Vegas visitors might be more than willing to overlook the significance of a mammoth snail (don't ask me... I still haven't figured that one out), a less sophisticated audience might be turned off.
I had typed "younger" before typing "less sophisticated" but La Nouba, like most CdS shows, won't interest kids much. Personally, I wouldn't take a child that hasn't reached the teen years yet. Maybe a precocious pre-teen, but no younger. I have seen far too many elementary-school-aged kids squirming in their seats, which worries me. An adult paying attention to an uninterested kid isn't going to focus enough on the performance and may end up badmouthing the show later, especially considering how much they paid for tickets. Even worse, fidgety kids that are being ignored by their parents can ruin the show for unrelated audience members in the area. If your kids can't sit through one of the short WDW live shows, they certainly won't sit through this. So please think before you bring.
But you SHOULD think about coming yourself. Especially if you are too far away from Vegas to catch the best CdS show. La Nouba is a close Number Two, and, with a little work, it could be the best. As much as I would love to give the show a 10, those minor nags force me to give it a 9 - Outstanding on the TPI Scale.
(You can buy tickets online at the WDW website or at 407-939-7719. Tickets are $59/$73/$85 (as of this writing) for anyone over 9 and $39/$49/$59 for kids 3 to 9. Though I wouldn't take any of them. The $73 seats may actually be the best in the house, as they allow you to take in the whole experience at once. Middle is much better than the sides, of course, but I would take a side at the $85 level before the middle of the $59 level, as long as it was closer to the middle section than the end.)
From Jason Lester
The only one I've seen is Mystere, but I LOVED it!
Posted via 184.108.40.206 on September 12, 2004 at 6:38 PM (MST)
From Alfonso G
The beginning of La Nouba is amazing and I just wish the end was as good. Anyone into classical music, broadway theatre, or gymnastics will love this. I have seen a "dress" rehearsal and a regular performance so far. I saw the Alegria tour but I did not like it at all compared to La Nouba.
Posted via 220.127.116.11 on September 12, 2004 at 6:46 PM (MST)
From Ray Schroeder
I'm happy you gave La Nouba a good review. I'm seeing it in Oct.(Hurricane permitting). I'm looking forward to it.
Posted via 18.104.22.168 on September 13, 2004 at 10:49 AM (MST)
I've seen Mystere 2x(the best one so far), O (great staging and theater), Varekai, and Alegria(music was the best part). If you're into New Age type music, the CD's of the shows are great.
From V L
I agree with just about everything you said, except that children under 10 might not enjoy it. I've been to see the show several times, once with a ten year old; and another with a seven and 9 year old. In both cases, they were better behaved than some of the adults around them. They sat transfixed by the superhuman acts, barely able to breathe, let alone speak (except for the occasional "WOW!!")
Posted via 22.214.171.124 on September 15, 2004 at 5:20 AM (MST)
In any event- La Nouba might not be the BEST CdS production, but it certainly a wonderful way to end an evening!
From Anthony Murphy
Great show! I think it is worth the money
Posted via 126.96.36.199 on September 15, 2004 at 1:04 PM (MST)
From Kevin Baxter
Most kids wouldn't be happy though. I've seen it far too many times to believe that most kids would be fine. As I said, if your kids can't sit through a movie or play or some other lengthy performance piece, they probably won't sit through this.
Posted via 188.8.131.52 on September 17, 2004 at 1:41 AM (MST)
From andrew greenstein
I have seen La Nouba at least 6 times over the years. I have also seen other Cirque Du Soleil shows including: Mystere, O, Dralion, Varekai, and Allegria--some of them twice. I like LA NOUBA the best for its high energy [although at some points in "Allegria"-- i think I liked it A more than LN !] and constant eye candy..The other ones are good but have more parts that tend to drag than La Nouba does. In any event, they are ALL wonderful, incredible, amazing, and astonishing--but La Nouba tops the list !
Posted via 184.108.40.206 on October 31, 2004 at 8:24 PM (MST)